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Show 1-9 in 9 products.
The powerhouse model of the new Wharfedale DIAMOND 12 series, the DIAMOND 12.4 is the room-filling, chest-pounding, largest model in the series.
The more compact of the Wharfedale DIAMOND 12 series floorstanding options, the DIAMOND 12.3 loses none of the accuracy and musicality of the standmount (bookshelf) options.
A sonic step-up from the smaller Concept 30 speakers of the same series, these elegant floorstanders take everything great about its standmount brother but delivers more powerful audio, a deeper soundstage and increased bass extension through its leading-edge, low resonance cabinet.
Monitor Audio Silver 200 7G - Sleek, compact and elegant, the Silver 200 7G speakers feature a new RST II mid-bass driver design for the ultimate in clarity. Perfectly suited to most living rooms, these speakers are designed to make extraordinary sound part of your everyday world.
Wharfedale Evo 4.4 Speakers are an exceptional pair of 3-way speakers that have won the 2019 What Hi-fi award for the best floor-standing speaker. They are the flagship floorstanders in the Evo range of speakers. Featuring 6.5" Woven Kevlar Bass Driver, 2" Soft Dome mid, and 55x80mm AMT HF driver system. The Evo 4.4's pack an impressive punch when it comes to sound performance, feature advanced technology and are available in a range of colours that will stylishly sit in any room.
The beautifully proportioned Bronze 200 floorstanding speakers deliver a surprisingly large sound. Replete with class-leading Monitor Audio technology they offer the perfect ratio of performance to size.
The Q Acoustics 3050i are striking floorstanding speakers with twin 165mm (6.5 in) and 22mm (0.9 in) precision drivers, this can be floor-mounted using rubber feet or spikes (provided), also featuring rear outrigger plinths for extra stability.
For ultra-discreet sound all around the home, or partnered with the Radius 380 sub for explosive stereo, the miraculously small Radius 45 houses a 3" mid-bass driver and rear-firing 3/4" C-CAM tweeter, and has no right to sound as good as it does.